marliespoeschl

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<channel>
	<title>marliespoeschl</title>
	<link>https://marliespoeschl.net</link>
	<description>marliespoeschl</description>
	<pubDate>Thu, 22 Jun 2023 08:33:51 +0000</pubDate>
	<generator>https://marliespoeschl.net</generator>
	<language>en</language>
	
		
	<item>
		<title>01_Landing_Page</title>
				
		<link>https://marliespoeschl.net/01_Landing_Page</link>

		<pubDate>Tue, 30 Nov 2021 23:52:06 +0000</pubDate>

		<dc:creator>marliespoeschl</dc:creator>

		<guid isPermaLink="true">https://marliespoeschl.net/01_Landing_Page</guid>

		<description>
	

Marlies Pöschl
Enter &#38;nbsp;︎


CURRENT/UPCOMINGGolden Pixel Talks:&#38;nbsp; ︎ How to develop a filmic practice of care? 
Podcast, Conversation with Petra Bauer, hosted by Nathalie Koger


Quote from
“Cinema Cristal”


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	<item>
		<title>Recent Projects</title>
				
		<link>https://marliespoeschl.net/Recent-Projects</link>

		<pubDate>Wed, 01 Dec 2021 14:40:17 +0000</pubDate>

		<dc:creator>marliespoeschl</dc:creator>

		<guid isPermaLink="true">https://marliespoeschl.net/Recent-Projects</guid>

		<description>
	
	Marlies Pöschl understands filmmaking as social practice and often collaborates with actors from outside the art world in search for polyphonic narrations and open-ended dramaturgies.
 

	Recent works


&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/dbc572dc922b05fadd332aae7f18f1d4f5ee7bf6679a2c2e2f8ac7a67da63738/DSC07989.JPG" data-mid="189432527" border="0"  src="https://freight.cargo.site/w/1000/i/dbc572dc922b05fadd332aae7f18f1d4f5ee7bf6679a2c2e2f8ac7a67da63738/DSC07989.JPG" /&#62;


Vivo Vision2023
360 VR video, 7K, spatial audio, 35 min
This conceptual VR film deals with the outsourcing of care that is produced by a neo-colonialist globalized economy. 


&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/2a57736fc036f59aa2ed52c9ce3f5b73cc337dcb4a83b00aa37a0a58d88ed3c6/2022_04_23_edit_mit_Choreo.00_16_38_05.Standbild003.jpg" data-mid="145074246" border="0"  src="https://freight.cargo.site/w/1000/i/2a57736fc036f59aa2ed52c9ce3f5b73cc337dcb4a83b00aa37a0a58d88ed3c6/2022_04_23_edit_mit_Choreo.00_16_38_05.Standbild003.jpg" /&#62;
Ever-normal Granary2022
4K Video, 22 min

Revolving in a labyrinthic structure around the state granary in Ludwigshafen, this essay film explores issues of food security, botany, food speculation, logistics and indigenous ecological perspectives.


Video presentation

Technologies of Togetherness Marlies Pöschl11.6. – 14.8.2022Kunstverein Ludwigshafen (DE)Curated by Jana Franze-Feldmann


&#60;img width="2172" height="1629" width_o="2172" height_o="1629" data-src="https://freight.cargo.site/t/original/i/4d320e6359e27f4a3623f1940c9475a6179414dd928829e8d28c23c40cbdd618/2021_11_18_Zone_blanche_edit_.00_02_41_20.Standbild006.jpg" data-mid="144718239" border="0"  src="https://freight.cargo.site/w/1000/i/4d320e6359e27f4a3623f1940c9475a6179414dd928829e8d28c23c40cbdd618/2021_11_18_Zone_blanche_edit_.00_02_41_20.Standbild006.jpg" /&#62;

The White field&#38;nbsp;
2022
16 mm transferred to HD,&#38;nbsp;13 min
 
Shot on a wind-up 16mm camera, this film traces a space without electromagnetic radiation: the habitat of electrosensitive senior Jill.


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Schatzalp&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 2021 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; 360 degree video
This enigmatic ‘VR regional novel’ intertwines everyday life in a long-term resort for European seniors in Southeast Asia with fictionalized anecdotes based on memories of home that the ‘guests’ project onto this place.

&#60;img width="1992" height="1120" width_o="1992" height_o="1120" data-src="https://freight.cargo.site/t/original/i/05393266ca435b1d71628d4f0bd7968a7b4e6b21ed4839a11af0089dc3972357/Bildschirmfoto-2022-08-19-um-15.55.32.png" data-mid="150816744" border="0"  src="https://freight.cargo.site/w/1000/i/05393266ca435b1d71628d4f0bd7968a7b4e6b21ed4839a11af0089dc3972357/Bildschirmfoto-2022-08-19-um-15.55.32.png" /&#62;
360 degree tour “Technologies of Togetherness”


&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/ba991c95c367c253cb6e01e4021688fb7b216f16b6a27b4186d064a101319dc0/200511-SIMPLE-WHISTLES-grade-51-V001-709.mov.00_04_56_07.Standbild010.jpg" data-mid="126190918" border="0"  src="https://freight.cargo.site/w/1000/i/ba991c95c367c253cb6e01e4021688fb7b216f16b6a27b4186d064a101319dc0/200511-SIMPLE-WHISTLES-grade-51-V001-709.mov.00_04_56_07.Standbild010.jpg" /&#62;

Simple Whistles&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 2020&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; HD videoBased on a collaborative project, in which senior citizens imagined a future vision of their assisted living project, a choral performance was created. Marlies Pöschl condenses this ritual into a film where the supposed transparency of 'smart homes' dissolves.

&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/c5b9b8b033c08ae1dcb71af93af0a871eb986a01d2e9534d4d6cc6ee3aef65b2/shadow_library_2.jpg" data-mid="126190915" border="0"  src="https://freight.cargo.site/w/1000/i/c5b9b8b033c08ae1dcb71af93af0a871eb986a01d2e9534d4d6cc6ee3aef65b2/shadow_library_2.jpg" /&#62;

Shadow Library&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 2021 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 4K Video
Shadow Library addresses how the effects of globally unequal production relations are inscribed in plants, migrate with them and become anchored in collective memory. (...)


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Aurore20192K video
Aurore is a voice without a body, she lives in a crevice, she resides on the interface. At a retirement home in the south of Paris, she provides company for the residents


&#60;img width="1500" height="1001" width_o="1500" height_o="1001" data-src="https://freight.cargo.site/t/original/i/8549d55f647d572ff7827c0e869d2a79a9730554416d96e13853acaabcf3979e/DSC02856.jpg" data-mid="126190916" border="0"  src="https://freight.cargo.site/w/1000/i/8549d55f647d572ff7827c0e869d2a79a9730554416d96e13853acaabcf3979e/DSC02856.jpg" /&#62;Data Garden&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; 2021
360 degree installation In a near future, data is no longer stored in data centres but in the DNA of plants. (...)
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 


	All works ︎
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	<item>
		<title>Art - Overview</title>
				
		<link>https://marliespoeschl.net/Art-Overview</link>

		<pubDate>Thu, 09 Dec 2021 15:32:46 +0000</pubDate>

		<dc:creator>marliespoeschl</dc:creator>

		<guid isPermaLink="true">https://marliespoeschl.net/Art-Overview</guid>

		<description>

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	<item>
		<title>Curatorial - Overview</title>
				
		<link>https://marliespoeschl.net/Curatorial-Overview</link>

		<pubDate>Mon, 06 Dec 2021 18:15:42 +0000</pubDate>

		<dc:creator>marliespoeschl</dc:creator>

		<guid isPermaLink="true">https://marliespoeschl.net/Curatorial-Overview</guid>

		<description>

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	<item>
		<title>Web of Care DE</title>
				
		<link>https://marliespoeschl.net/Web-of-Care-DE</link>

		<pubDate>Thu, 22 Jun 2023 08:33:51 +0000</pubDate>

		<dc:creator>marliespoeschl</dc:creator>

		<guid isPermaLink="true">https://marliespoeschl.net/Web-of-Care-DE</guid>

		<description>Marlies Pöschl: Web of CareCreative documentary, 4K, 90 min, Farbe, stereoSynopsis
Sensorische Fußböden schlagen Alarm, wenn wir fallen. Hunde-Avatare sind 24 Stunden am Tag für uns da. Pflege-Roboter machen mit uns Morgengymnastik. Diese fürsorglichen Maschinen sammeln „Big Data“, sind immer verbunden und trotzdem safe. Es entwickelt sich im Moment ein neues, vielschichtiges Web of Care, in dem Nutzer*innen und komplexe technologische Systeme miteinander verbunden sind. Ausgehend von konkreten Innovationen im Pflege-Bereich entwirft dieser kollaborativ realisierte Film ein Netz, das die Verflochtenheit von ökonomischen, sozialen und politischen Fragen in der Konzeption von neuen Technologien auf experimentelle Weise auslotet. 

Marlies Pöschl lebt als Künstlerin und Filmemacherin in Wien. Sie ist Obfrau der Golden Pixel Cooperative, eines Vereins für Bewegtbild, Kunst und Medien. Lehrtätigkeit an der Akademie der Bildenden Künste Wien, PH Wien und Internationalen Sommerakademie Salzburg. Ihre Arbeiten wurden mehrfach ausgezeichnet und international in Ausstellungen, Biennalen und Festivals präsentiert.

 
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		<title>Ever-normal Granary</title>
				
		<link>https://marliespoeschl.net/Ever-normal-Granary</link>

		<pubDate>Mon, 06 Jun 2022 20:37:56 +0000</pubDate>

		<dc:creator>marliespoeschl</dc:creator>

		<guid isPermaLink="true">https://marliespoeschl.net/Ever-normal-Granary</guid>

		<description>&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/743a7a0c3f59ae47e8caa7114c6f38e3f17cfe70504db987e1cfdef030b3aa5a/2022_05_31_Evernormal_Grading_Export_Final_HD_Prores_422.00_02_29_19.Standbild007.jpg" data-mid="144716580" border="0"  src="https://freight.cargo.site/w/1000/i/743a7a0c3f59ae47e8caa7114c6f38e3f17cfe70504db987e1cfdef030b3aa5a/2022_05_31_Evernormal_Grading_Export_Final_HD_Prores_422.00_02_29_19.Standbild007.jpg" /&#62;


	Ever-normal Granary

2022, DE/AT, 4K Video, colour, stereo, 23 min

TrailerCredits
In the year in which this film is set, there was no summer. The grain remained in the ground. Apparently it was safely stored in&#38;nbsp; a large brick building.This film shifts through a labyrinthine structure, looking at the idea and architecture of the "ever normal granary”.

 This refers to an idea originally from China, of a grain storage system that balances supply and demand and which offers stability due to its constant stock levels. But the seeming normality of the granary is disrupted and the grain starts to disappear. 
	 In the voice-over, a manager and a mouse can be heard negotiating questions of economics, botany, food security, food speculation and logistics.
 
	
When food security is threatened, it becomes necessary to adopt new perspectives and acknowledge other kinds of knowledge. This film essay contrasts industrial food production with indigenous ecological perspectives and embodied knowledge: In the second part of the film, the performers awake from a long sleep. The choreography they perform refers to the book Braiding Sweetgrass (2013) by US plant ecologist Robin Wall Kimmerer. The relationship between dance and composition, which is made up of natural, technological, human and more-than-human sounds, is an attempt to aesthetically reframe and rethink the relationship to the environment.

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Trailer


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CreditsDirector, screenplay, editor, production:Marlies Pöschl
This film shows excerpts from the performance "Elevation" (2021)
Choreography: Amelia Eisen (in collaboration with Mike Planz and Kirill Berezovski)
Protagonists/Dancers: Amelia Eisen and Mike Planz
Voiceover: Bianca Ludewig and Eva Mayer
Director of Photography: Martin Paret
Second camera, sound recording: Marlies Pöschl
Light design: Fabian Martin Anger
Colour design: Caroline Bobek
Sound design and composition: Ursula Winterauer
Set assistance: Ramona Renner

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		<title>The white field</title>
				
		<link>https://marliespoeschl.net/The-white-field</link>

		<pubDate>Mon, 06 Jun 2022 20:46:29 +0000</pubDate>

		<dc:creator>marliespoeschl</dc:creator>

		<guid isPermaLink="true">https://marliespoeschl.net/The-white-field</guid>

		<description>&#38;nbsp;&#60;img width="2172" height="1629" width_o="2172" height_o="1629" data-src="https://freight.cargo.site/t/original/i/4d320e6359e27f4a3623f1940c9475a6179414dd928829e8d28c23c40cbdd618/2021_11_18_Zone_blanche_edit_.00_02_41_20.Standbild006.jpg" data-mid="144717398" border="0"  src="https://freight.cargo.site/w/1000/i/4d320e6359e27f4a3623f1940c9475a6179414dd928829e8d28c23c40cbdd618/2021_11_18_Zone_blanche_edit_.00_02_41_20.Standbild006.jpg" /&#62;


	The White Field

2022, FR/AT, 16mm transferred to HD,&#38;nbsp; colour, 3.1 sound, 13 minCredits
"The White Field" is a dialogue, it circumscribes the site of an encounter: between the filmmaker and a woman who has chosen to live without technology because it makes her sick. 76-year-old Jill constructs her habitat, the "white field", anew every day. The electrosensitive woman lives in her white Ford at an altitude of 1,400 m in the French Vercors Massif, 40 minutes away from the nearest village. 
	In lengthy journeys, she runs her daily errands, visits her friends and sometimes spends hours looking for places where she feels no electromagnetic radiation. 

Shot on 16 mm with a wind-up Beaulieu camera, this essay film seeks to establish a recording process that does not create an electromagnetic field. It thereby translates the sensitivity of its protagonist into an artistic form and aesthetically traces the force fields in this life story. 

Based solely on foley sounds which were only recorded afterwards, the soundtrack, achieves a hyper-realistic and at the same time artificial atmosphere, making Denton's 
mode of perception palpable.
	

&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/41f24f3ee0be7be41f42d19282bf8ffa0b7c6ca532b2c8396b8e2697c9c29485/KVLU_MarliesPoeschl_web_36.jpg" data-mid="151086470" border="0"  src="https://freight.cargo.site/w/1000/i/41f24f3ee0be7be41f42d19282bf8ffa0b7c6ca532b2c8396b8e2697c9c29485/KVLU_MarliesPoeschl_web_36.jpg" /&#62;&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/54bd3b3ba72ebd0e4f64c5d4ff93634d039a7b511935ee358ed7f70d158b8b13/KVLU_Marlies_Poeschl_Presse_05.jpg" data-mid="151084125" border="0"  src="https://freight.cargo.site/w/1000/i/54bd3b3ba72ebd0e4f64c5d4ff93634d039a7b511935ee358ed7f70d158b8b13/KVLU_Marlies_Poeschl_Presse_05.jpg" /&#62;Installation view: Where the coverage ends, projection and mobile, 2022, installation view, Technologies of Togetherness, Kunstverein Ludwigshafen, Photo: Marco Vedena&#38;nbsp;

&#60;img width="2148" height="1612" width_o="2148" height_o="1612" data-src="https://freight.cargo.site/t/original/i/96bab08f69f0519f2503087034d2400b8fdaad1a755bc76df25e2342fa3fac49/2021_11_18_Zone_blanche_edit_.00_07_52_24.Standbild007.jpg" data-mid="144717399" border="0"  src="https://freight.cargo.site/w/1000/i/96bab08f69f0519f2503087034d2400b8fdaad1a755bc76df25e2342fa3fac49/2021_11_18_Zone_blanche_edit_.00_07_52_24.Standbild007.jpg" /&#62;

Credits
Director, screenplay, editor, production: Marlies Pöschl
With: Jill Denton
And: Sophie Leenhardt, Dominique Rohaert, Éric Chevillard, Françoise Chevillard
Choir: Die Cantat
Choir direction: Monique Cieren
Voiceover: Marlies Pöschl
Sound design: Florian Kindlinger 
Composition: Peter Kutin
Translation: Oliver Michael Walker
Technical advice: Viktoria Schmid
Laboratory: Andec Berlin


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		<title>Shadow Library</title>
				
		<link>https://marliespoeschl.net/Shadow-Library-1</link>

		<pubDate>Thu, 09 Dec 2021 15:47:34 +0000</pubDate>

		<dc:creator>marliespoeschl</dc:creator>

		<guid isPermaLink="true">https://marliespoeschl.net/Shadow-Library-1</guid>

		<description>&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/c5b9b8b033c08ae1dcb71af93af0a871eb986a01d2e9534d4d6cc6ee3aef65b2/shadow_library_2.jpg" data-mid="126956665" border="0"  src="https://freight.cargo.site/w/1000/i/c5b9b8b033c08ae1dcb71af93af0a871eb986a01d2e9534d4d6cc6ee3aef65b2/shadow_library_2.jpg" /&#62;


	Shadow Library

2021, AT, 4K Video, colour, stereo, 7 min


TrailerCreditsScreenings

In a near future, data is no longer stored in data centres but in the DNA of plants. During a presentation of the data garden of Cyan, an Austrian mobile phone manufacturer, this film accidentally leads us astray to a second, invisible "library" - the Shadow Library, which is stored on some of the plants.

	 In this way, this video addresses how the effects of globally unequal production relations inscribe themselves in plants, migrate with the plants and thus anchor themselves in collective memory. 

The text in the second part of the video is based on poems by the Chinese poet Zheng Xiaoqiong, who addresses the living and working conditions of Chinese migrant workers in her work. The soundtrack of the film (‘Fern’ by Mileece) is based on the sonification of electric currents in plants.

&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/2c767c1b7530c57291100faa88a6043ce1e449a68de07afa7860490933097802/shadow_library_1.jpg" data-mid="126956664" border="0"  src="https://freight.cargo.site/w/1000/i/2c767c1b7530c57291100faa88a6043ce1e449a68de07afa7860490933097802/shadow_library_1.jpg" /&#62;


Trailer


Credits
Script, director, editing, production: Marlies Pöschl
Poems: Zheng Xiaoqiong 郑小琼《拆》Assistant director: Sophie Averkamp
Director of photography: David Rabeder, Marlies Pöschl 
Sound engineer and sound design: Simon Rabeder
Costume design: Sandy Wetcliff ViennaTranslation: Lea Schneider, Martin WinterActors: Daniela Chen, Anne Hünseler,&#38;nbsp;Xingchen Liu, Haili Luo, Ying Qui-Zhang, Jiayi Steiner, Sissi Qi Wang, Yu Li Ya, Guanpei ZhouVoice-over: Kun Jing and Eva Mayer
Original music: “Fern” by Mileece

Screenings
Space for Kids. Spuren im Datenmeer, Kunsthalle Vienna/Vienna Biennale for Change, 2021, AT
Technologies of Togetherness, Kunstverein Ludwigshafen, DE, 2022

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		<title>Data Garden</title>
				
		<link>https://marliespoeschl.net/Data-Garden</link>

		<pubDate>Thu, 09 Dec 2021 22:00:49 +0000</pubDate>

		<dc:creator>marliespoeschl</dc:creator>

		<guid isPermaLink="true">https://marliespoeschl.net/Data-Garden</guid>

		<description>
&#60;img width="1500" height="1001" width_o="1500" height_o="1001" data-src="https://freight.cargo.site/t/original/i/20d83a5bf460ba1b83ebae1e4fce0911c20812d09c3434723cd2a0f51c1fffaf/DSC02856.jpg" data-mid="126999470" border="0"  src="https://freight.cargo.site/w/1000/i/20d83a5bf460ba1b83ebae1e4fce0911c20812d09c3434723cd2a0f51c1fffaf/DSC02856.jpg" /&#62;


	Data Garden

2021, AT, four part, site specific video installation, 
360 degree video-, colour, binaural sound, 
total approx. 15 minutes
This installation was developed for the Supergau festival in St. Gilgen.
DokumentationCredits


	A young scientist from Guian, China, has developed a procedure with which she can store data in the DNA of plants as an alternative to existing data centres. She sends seeds to St. Gilgen in Austria in which secret information is stored and asks a relative of hers to grow it. The ‘Data Garden’ then sprouts and starts to grow. The plant contains memory fragments of the everyday life of a group of female migrant workers in a Chinese electronics factory. The people who assemble our mobile phones appear in a ghost-like way in St. Gilgen. The reality of the production conditions is superimposed ‘augmented reality’ on the place we see.


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Documentation

These links show the documentation of the installation as a 360-degree video. Ideally, please use the Vimeo app&#38;nbsp; on a smartphone. You can then navigate in the 360-degree image space by moving your finger (on an iPhone) or the&#38;nbsp; phone itself (on an Android). It is also possible to preview the work on a computer, using the mouse to navigate the 360-degree image space.

Scene 3: 


Scene 4:


Credits
Director, scriptwriter, editor &#38;amp; producer: Marlies Pöschl

Poems: Zheng Xiaoqiong 郑小琼《拆》
Assistant director: Sophie Averkamp
Director of photography: David Rabeder

Sound engineer and sound designer: Simon Rabeder

Costume design: Sandy Wetclif Vienna
Translation: Lea Schneider, Martin Winter
Actors: Daniela Chen, Xingchen Liu, Haili Luo, Ying Qui-Zhang, Jiayi Steiner, Sissi Qi Wang, Yu Li Ya, Guanpei Zhou
Voice-over: Kun Jing
Installation views:&#38;nbsp; Supergau festival 2021, Photo: Lisa Truttmann
Production stills:&#38;nbsp;Sophie Averkamp


&#38;nbsp;
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		<title>Schatzalp</title>
				
		<link>https://marliespoeschl.net/Schatzalp</link>

		<pubDate>Thu, 09 Dec 2021 22:37:45 +0000</pubDate>

		<dc:creator>marliespoeschl</dc:creator>

		<guid isPermaLink="true">https://marliespoeschl.net/Schatzalp</guid>

		<description>&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/361810249e81940e9b190bc2fb6f972ae48d1c1f319265d3112fae05563e9061/KVLU_MarliesPoeschl_web_45.jpg" data-mid="151090234" border="0"  src="https://freight.cargo.site/w/1000/i/361810249e81940e9b190bc2fb6f972ae48d1c1f319265d3112fae05563e9061/KVLU_MarliesPoeschl_web_45.jpg" /&#62;


	Schatzalp

2021, TH/AT, 360 Grad VR, 13 min, colour, stereo


Director, camera, scriptwriter, editor, producer: Marlies Pöschl Narrator: Franziskus Abgottspon Sound design: Peter Kutin

	
This enigmatic ‘VR regional novel’ intertwines everyday life in a long-term resort for European seniors in Southeast Asia with fictionalized anecdotes based on memories of home that the ‘guests’ project onto this place. The invisible narrator, Beat, leads us through a place that seems just like any typical Swiss village. And yet it is as if the scenery is slightly out of place, as if we were in a virtual rift between one place and another.
	Some of the things we encounter here appear to come from Thailand - one could almost get the impression that we are not in Switzerland at all! The text of the video, performed by an actor, is an aesthetically condensed fiction, drawing from conversations between the artist and residents of the resort. The narrator’s descriptions, although spoken clearly and confidently, are muddled, sometimes seemingly blurring different places and times together, which makes experiencing this film even more disorientating. Schatzalp is the first part of a larger project on this subject.

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&#60;img width="2048" height="1152" width_o="2048" height_o="1152" data-src="https://freight.cargo.site/t/original/i/f68ebc6ee474cb1050af114e4bfe74a43eedcf84fb61153b8c8aa522a5a53ee7/DSC08229.jpg" data-mid="127003740" border="0"  src="https://freight.cargo.site/w/1000/i/f68ebc6ee474cb1050af114e4bfe74a43eedcf84fb61153b8c8aa522a5a53ee7/DSC08229.jpg" /&#62;
Installation view:Technologies of Togetherness, Kunstverein Ludwigshafen, 2022, DE, Photo: Marco Vedena


Exhbitions
Les Maintenants, Salzburger Kunstverein, 2021, ATTechnologies of Togetherness, Kunstverein Ludwigshafen, 2022, DE


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